Thomas Delaroziere paints against the colonial record, recovering through Caribbean landscape a history the archive refused to tell.

Trained in architecture and engineering, he builds space through light, rhythm, and implication: what is blocked by vegetation, hidden by a hillside, present but unseen. The land in his work is not backdrop. It is protagonist, carrying what the official record could not contain.

His practice moves as an archipelago of investigations into Martinique: its gardens, its coastal ecologies, the thresholds between the cultivated and the wild. Each series asks what the land still holds.